In March I wrote about basic graphic design terms that clients should know before speaking with their designer. I’m always impressed by clients who use design terms appropriately, because, more often than not, people use graphic design terms incorrectly, which can lead to projects that go awry. In this follow-up, I’ve compiled a list of phrases that make designers cringe, along with advice on alternatives so your next creative project starts off smoothly. Read more after the jump…
Animation has always fascinated me. I drew endless comic strips and superheroes as a kid, and making those drawings move like what I saw on TV every Saturday morning was a dream. Taking a drawing from paper to screen gave it life, and all I wanted was to make the characters from my imagination real. When I finally started experimenting with animation in high school, I found a medium that was tedious, but every bit as rewarding as I had hoped. I eventually graduated with my BFA in animation, and although it’s not something I do every day at CenterTable, I relish the opportunity to bring drawings to life for clients who understand the value animation can have in telling a unique story. Read more after the jump…
Though I do my best to anticipate client needs, problems occasionally arise when clients haven’t fully considered what their design needs actually are. It’s easy to say, “I need an infographic,” or, “We want an updated logo,” but it’s much harder to dissect the who, what, when, where, how, and why of a creative project.
Graphic Designers are trained to glean as much information as we can from interactions with our clients, but a reciprocal relationship in which the designer and the client are open and honest always results in the best work.
Whether it’s dreaming up the perfect copy for a social media post, crafting a pitch for a key reporter, or strategizing how to report metrics to executives – the daily life of a communications professional requires a lot of widely-varied creative ideas and solutions!
Some days the creativity flows like a river and other days the creative process takes a little longer to get going, which is why I read two recent articles with great interest!
Creativity Isn’t About Talent, It’s a Mood
If you’re a fan of Monty Python, you’re a fan of co-founder John Cleese who – it turns out – is obsessed with creativity. This recent article describes some of Cleese’s best tips for setting the right mood for creativity which include:
- Creating a space/time oasis where you can get away from daily distractions and disturbances
- Sticking with problems just a little longer than when the “easy way out” appears… the alternative is almost always more creative
- My personal favorite: making mistakes because “while you’re being creative, nothing is wrong”
- Embracing humor, because it’s essential to spontaneity and playfulness, two key ingredients to creativity
- Keeping a light hold of the problem you’re pondering, as you’re likely to be rewarded with a creative solution when you least expect it